The Army of Two

May 7th, 2012

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15 miles north of the historic settlement of Plymouth Massachusetts in the town of Scituate you will find the Scituate Lighthouse. Constructed in 1811 through $4,000 of federal funding, it was completed and operational in April of 1812.  Simeon Bates was assigned the job as keeper of the Lighthouse and moved in with his family to the lighthouse in the same month. Bates and his wife, Rachel, had nine children, including two daughters, Rebecca and Abigail. These two sisters would become heroic figures in the history of American lighthouses.

These were times of war for America. The War of 1812 had started and many towns along the east coast of America were being sacked and burnt by British Warships. On June 11, 1814, British forces plundered and burned a number of vessels at Scituate. Keeper Bates fired two shots from a small cannon, angering the captain of a British warship as it departed.

Upon the British attack, the local militia was called out to stand guard over the town in the event of another Redcoat visit. Sentinels were placed at the lighthouse, as well as other strategic spots within town, with the expectation that the British would soon return. As summer wore on, there was no sign of the British. The lighthouse sentinels befriended the Bates family, especially daughters Rebecca, (age 21), and Abigail, (conflicting sources place her age somewhere between 15 and 17). Abigail was taught how to play the drums, and could replicate the different military signals, and Rebecca was taught four different military songs on the fife, of which “Yankee Doodle” was the one she felt she did especially well. After months of no British activity, the militia was slowly called back from their posts. By late summer, all of the sentinels, including the ones at the lighthouse, were no longer posted.

Less than three months later, Keeper Bates and most of his family were away, leaving 21-year-old Rebecca and 15-year-old (or, according to some accounts, 17-year-old) Abigail in charge. The sisters were horrified to see a British warship anchored in the harbor. In a magazine article many years later, Rebecca was quoted:

“I’ll tell you what I’ll do,” says I to my sister, “Look here, you take the drum and I’ll take the fife.” I was fond of military music and could play four tunes on the fife — Yankee Doodle was my masterpiece. . . . “What good’ll that do?” says she. “Scare them,” says I. “All you’ve got to do is call the roll. I’ll scream the fife and we must keep out of sight; if they seeus they’ll laugh us to scorn.”

The British thought the sound of the fife and drum signaled the approach of the Scituate town militia, and they hastily retreated. Indeed,

not only the sailors in the barges heard the girls, but those on the frigate as well. Not able to see who was actually playing the instruments, the British assumed that the local militia had been alerted to their arrival and was gathering to meet them. A signal appeared from the frigate, and the men on the barges turned around and returned to the ship. It wasn’t long afterwards that the frigate raised its anchor and left Scituate for the open sea. Thus was born the legend of Scituate’s “Lighthouse Army of Two.”

The Bates sisters lived to be quite elderly. Rebecca later sold affidavits for ten cents apiece, always asserting the truth of her story in spite of doubters. Some people have claimed that the ghosts of Rebecca and Abigail Bates haunt Scituate Light. Fife and drum music, they say, can be heard blending in with the wind and waves. Having visited this location many times, there is an eerie feeling even on warm sunny days. Especially from the end of the 450 foot wall rock that jets out into the ocean. When storms approach the New England coast, this is a favorite spot to quickly get into position to see large swells and breakers against the rocks.

The next time you are in the New England area, plan a visit to the Scituate Lighthouse. Wonderful harbor scenery and good food in this

seaside town make for a memorable visit. And be sure to visit the Quarterdeck antique shop on the pier! Expect to spend a good amount of time browsing the Quarterdeck!

 

Scituate Light circa 1900

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Christmas Truce 1914

December 19th, 2011

Художник

My name is Francis Tolliver, I come from Liverpool.
Two years ago the war was waiting for me after school.
To Belgium and to Flanders, to Germany to here
I fought for King and country I love dear.
‘Twas Christmas in the trenches, where the frost so bitter hung,
The frozen fields of France were still, no Christmas song was sung
Our families back in England were toasting us that day
Their brave and glorious lads so far away.

JOHN McCUTCHEON.

 

By the end of November 1914 the crushing German advance that had swallowed the Low Countries and threatened France had been checked by the allies before it could reach Paris. The opposing armies stared at each other from a line of hastily built defensive trenches that began at the edge of the English Channel and continued to the border of Switzerland. Barbed wire and parapets defended the trenches and between them stretched a “No-Mans-Land” that in some areas was no more than 30 yards wide.

Life in the trenches was abominable. Continuous sniping, machinegun fire and artillery shelling took a deadly toll. The misery was heightened by the ravages of Mother Nature, including rain, snow and cold. Many of the trenches, especially those in the low-lying British sector to the west, were continually flooded, exposing the troops to frost bite and “trench foot.”

This treacherous monotony was briefly interrupted during an unofficial and spontaneous “Christmas Truce” that began on Christmas Eve. Both sides had received Christmas packages of food and presents. The clear skies that ended  the rain further lifted the spirits on both sides of no-mans-land.

The Germans seem to have made the first move. During the evening of December 24 they delivered a chocolate cake to the British line accompanied by a note that proposed a cease fire so that the Germans could have a concert. The British accepted the proposal and offered some tobacco as their present to the Germans. The good will soon spread along the 27-mile length of the British line. Enemy soldiers shouted to one another from the trenches, joined in singing songs and soon met one another in the middle of no-mans-land to talk, exchange gifts and in some areas to take part in impromptu soccer matches.

The high command on both sides took a dim view of the activities and orders were issued to stop the fraternizing with varying results. In some areas the truce ended Christmas Day in others the following day and in others it extended into January. One thing is for sure – it never happened again.

 “We and the Germans met in the middle of no-man’s-land.”

Frank Richards was a British soldier who experienced the “Christmas Truce”. We join his story on Christmas morning 1914:

“On Christmas morning we stuck up a board with ‘A Merry Christmas’ on it. The enemy had stuck up a similar one. Platoons would sometimes go out for twenty-four hours’ rest – it was a day at least out of the trench and relieved the monotony a bit – and my platoon had gone out in this way the night before, but a few of us stayed behind to see what would happen. Two of our men then threw their equipment off and jumped on the parapet with their hands above their heads. Two of the Germans done the same and commenced to walk up the river bank, our two men going to meet them. They met and shook hands and then
we all got out of the trench.

Buffalo Bill [the Company Commander] rushed into the trench and endeavoured to prevent it, but he was too late: the whole of the Company were now out, and so were the Germans. He had to accept the situation, so soon he and the other company officers climbed out too. We and the Germans met in the middle of no-man’s-land. Their officers was also now out. Our officers exchanged greetings with them. One of the German officers said that he wished he had a camera to take a snapshot, but they were not allowed to carry cameras. Neither
were our officers.

We mucked in all day with one another. They were Saxons and some of them could speak English. By the look of them their trenches were in as bad a state as our own. One of their men, speaking in English, mentioned that he had worked in Brighton for some years and that he was fed up to the neck with this damned war and would be glad when it was all over. We told him that he wasn’t the only one that was fed up with it. We did not allow them in our trench and they did not allow us in theirs.

The German Company-Commander asked Buffalo Bill if he would accept a couple of barrels of beer and assured him that they would not make his men drunk. They had plenty of it in the brewery. He accepted the offer with thanks and a couple of their men rolled the barrels over and we took them into our trench. The German officer sent one of his men back to the trench, who appeared shortly after carrying a tray with bottles and glasses on it. Officers of both sides clinked glasses and drunk one another’s health. Buffalo Bill had presented them with a plum pudding just before. The officers came to an understanding that the unofficial truce would end at midnight. At dusk we went
back to our respective trenches.

…The two barrels of beer were drunk, and the German officer was right: if it was possible for a man to have drunk the two barrels himself he would have bursted before he had got drunk. French beer was rotten stuff.

Just before midnight we all made it up not to commence firing before they did. At night there was always plenty of firing by both sides if there were no working parties or patrols out. Mr Richardson, a young officer who had just joined the Battalion and was now a platoon officer in my company wrote a poem during the night about the Briton and the Bosche meeting in no-man’s-land on Christmas Day, which he read out to us. A few days later it was published in The Times or Morning Post, I believe.

During the whole of Boxing Day [the day after Christmas] we never fired a shot, and they the same, each side seemed to be waiting for the other to set the ball a-rolling. One of their men shouted across in English and inquired how we had enjoyed the beer. We shouted back and told him it was very weak but that we were very grateful for it. We were conversing off and on during the whole of the day.

We were relieved that evening at dusk by a battalion of another brigade. We were mighty surprised as we had heard no whisper of any relief during the day.  We told the men who relieved us how we had spent the last couple of days with the enemy, and they told us that by what they had been told the whole of the British troops in the line, with one or two exceptions, had mucked in with the enemy. They had only been out of action themselves forty-eight hours after being twenty-eight days in the front-line trenches. They also told us that the French people had heard how we had spent Christmas Day and were saying all manner of nasty things about the British Army.”

 

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The Kindle Fire

October 9th, 2011

This month in our new Go Technology column we take a close look at Amazon’s upcoming new product called the Kindle Fire. Set to release on November 15, 2011, the Kindle Fire is certainly about to set the digital and technology world on fire with 95,000 units already sold.

For a low price of just $200, buyers will get a great deal on a tablet that is going to change the way manufactures sell and market this wonderful little devices we call tablets. By the end of the year, researchers expect the Kindle Fire to sell over 3 million units!

So what is all of the excitement about? Kindle Fire will have 18 million movies, TV shows, songs, magazines and books available. It will contain an Amazon App store similar to iTunes App store and also a web browser. But here is the magic of the Kindle Fire – Ultra Fast Web Browsing using Amazon’s Silk cloud computing. To store all of your purchases Amazon will provide free cloud storage and that’s not all…

Movies, magazines and children’s books come alive on a 7″ vibrant color touchscreen that delivers 16 million colors in high resolution. Kindle Fire uses IPS (in-plane switching) technology – similar technology to that used on the iPad – for an extra-wide viewing angle, perfect for sharing your screen with others. Kindle Fire features a state-of-the-art dual-core processor for fast, powerful performance. Stream music while browsing the web or read books while downloading videos. Stay in touch using a built-in email app that gets your webmail (Gmail, Yahoo!, Hotmail, AOL etc.) into a single inbox. Import your messages and contact lists from other email accounts.

This just touches upon a few of the many features of the Kindle Fire. Not to even mention the 8 hours of continuous reading or 7.5 hours of video playback. Of course this is a wireless device, just like an iPod or iPad, so you can take it with you on the go to all of your favorite places.

The workmanship, design and easy of use earns the Kindle Fire a 5 Star review from Celtic Radio. This system is a real genius of innovation. An impressive compilation of technology, internet and music to give you many hours of enjoyment. Make sure to pre-order your Amazon Kindle if you want this exciting new product before Christmas. This just may be the hot product that everyone wants this Christmas!






Walter Mittey is a Part of Each of Us

September 28th, 2011

James Thurber, in his short story called “The Secret Life of Walter Mittey”, describes the life of a middle aged man who is so bored and disappointed with his own life, that he immerses himself in daydream after daydream of heroic and cinematic proportions. Stuck in this ‘twighlightzone’ of never ending daydreams, Walter Mittey escapes the doldrums of his own life. His adventures include a navy commander, a world-renowned physician, a World War II flying ace and a defendant in a murder trial all while during a shopping trip to town with his overbearing and selfish wife. In all of his daydreams, Walter faces incredible odds for failure, but somehow manages to defy the odds and become the hero. The only problem is that Walter seems doomed to live his life in his outrageous and unachievable daydreams. What separates us (or at least most of us) from Walter Mittey is that the dreams that we have are often dreams of who we want to be, what we want to accomplish, and where we want to be that can be obtained in the real world.

Like most people, Walter Mittey has dreams of the type of person he wants to be, but has no means and no goals to get there. Without some goals in life as to what a person wants to be, they are certain to spin their wheels in endless circles. Take for example if a person wanted to be in politics. You certainly would not just announce your plans to run for the presidency on a whim. The decision to make a run for office would come after many years of planning, education and involvement in the community. A proven track record in the business or political world would be a must. Walter Mittey does not have any idea of how he can escape the life he is living because he has no plan or goals on what exactly he wants to be. He places himself in the shoes of the people of those he wishes he could be, such as the prominent well known physician who is so famous and recognized that his patients aren’t ordinary citizens, but “millionaire bankers!” Such fantastic daydreams give a hint that Walter views his life as a failure. Perhaps in his attempt to compensate for the regret he feels for his own boring and unfufilling life, his dreams make him feel useful, intelligent and successful.

It is evident from reading about Walter’s trip to town that he is a man that has enjoyed very few, if any, accomplishments in his life. While most people in their lives can look back and savor a time when the spotlight was shined on them, Walter seems to be lacking in past achievements as revealed by the people he dreams of being. When he is the navy commander, the crew refers to him as, “The Old Man’ll get us through”, and, “The Old Man ain’t afraid of Hell!” Is it perhaps that Walter has never taken charge of a situation that he daydreams? Or perhaps he is a coward that can not, or does not know how to stand up to his wife and tell her that he despises wearing overshoes. While daydreaming can be healthy for the soul and give us an escape from the everyday, Walter’s continuous delusions of grandeur could be seen has hindering his ability and his desire to produce any sort of accomplishments for both himself and with his relationship with his wife.

Walter’s wife is as much as an accomplice to Walter’s prolific daydreaming as Walter is to himself. His wife is very clear as to what shoes Walter should wear, how fast Walter should drive, how Walter is feeling and barks out instruction to Walter as if he is a child.

While most people would not continue with a relationship so one sided as the one between Walter and his wife, Walter continues to drudge along, happily living out his existence in his never-ending daydreams. Although at one point Walter does explain to his wife, “Does it ever occur to you that I am sometimes thinking?” His wife dismisses this and tells him that she is going to take his temperature when she gets him home. No matter what Walter might say, his wife really does not care because she has his agenda all worked out for him! This one sided relationship would certainly end in divorce for most people, however, with Walter’s passive mannerism, it’s doubtful he will ever escape the clutches of his wife.

The intensity and realism of Walter’s dreams would certainly have any doctor prescribing psychotherapy! Fading in between reality and dreams, Walter could be on his way to losing the ability of distinguishing what is real and what is dream. Walter is hopelessly unhappy with how feels for himself and for his life in general. At the center of this is a wife who seems to have lost confidence in her husband and therefore treats Walter more like a child than a husband. If only Walter’s wife would make him feel like he was important and makes a difference, if only Walter would stand up and communicate to his wife! Walter is yearning to be alive and to live life to it’s fullest. It seems that Walter and his wife have suffered a premature death of their relationship and in their outlook on life. When Walter’s wife states “You’re not a young man any longer”, this certainly makes Walter want to escape his current situation all the more. I think it was fitting for James Thurber to write about Walter’s last daydream of being before a firing squad, symbolizing Walter’s own death with real life. The “Secret Life of Walter Mittey” shows us what happens when you lose sight of the dreams you have and the hope of achieving those dreams – you forget what it is like to really live and to be part of the great adventure called life. As the author Grandma Moses once wrote, “And life is what we make it, always has been, always will be.”



Open Graph Protocol

June 29th, 2011

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When the web first appeared to the general public back in the early 1990′s, people where amazed with the amount of information available online. Some of us might remember the spider crawler, an early search engine that was run by AOL. With a few clicks of our mouse button, we were off and running on the super informational highway with Bill Clinton playing his saxophone in the background on CNN headline news!

The web at that time was defined by individually created web pages containing a wealth of scientific and general purpose data about anything and everything! To get listed in these early primitive search engines, you just needed to make sure you had a title to your webpage and perhaps a few keywords.

Zoom ahead 20 years and what has happened? There are now 20 billion webpages and 700 million websites. Consider that if you are starting a brand new website or updating an old one, you are probably going to start out at the bottom of that 700 million list.

So you say you want to Meta-tag your site and Search Engine Optimize it to hopefully get listed high in the Google search ranks? Forget it. The newest and best way to get listed in the search engines is through Facebook’s Open Graph Protocol. Leverage your already existing network of friends and websites to get recognized and listed higher in the search engines by providing Facebook with a few details of your website.

This will also allow your like buttons on your website to better interact with Facebook, providing the title, image, and description in a neatly formatted “Like” post on your profile for thousands to see. After all, who wants to see a long URL and a random image from your webpage? Think of Open Graph Protocol as a way to format your Facebook page like posts.

But wait, there is more. A funny thing happened when we at Celtic Radio formatted our pages to utilized Open Graph Protocol. Our search engine rankings dramatically increased over night. And that’s the beauty of Open Graph Protocol. By providing a few details on what a particular page represents, it seems that not only is Facebook watching, but the almighty search engines appear to be using this information to categorized and rank webpages.

Here is what Mark Zuckerberg has to say about Open Graph Protocol:

“Today the web exists mostly as a series of unstructured links between pages. This has been a powerful model, but it’s really just the start. The open graph puts people at the center of the web. It means that the web can become a set of personally and semantically meaningful connections between people and things.”

Implementing Open Graph Protocol is extremely easy given the following code example:

As you can see from the above example, there are only a few meta tags to the open graph protocol, but these important tags allow facebook (and search engines) to better understand your website. The image tag is a really powerful addition as it will allow for a thumb nail version (instead of a random image on your site) to appear on Facebook. And all roads lead back to Rome! That is exactly what Mark Zuckerberg is creating by Facebook Like buttons and the implementation of open graph protocol. By providing a simple way to categorized webpages to end users who run websites, by leveraging an already existing network of friends, family, colleagues and businesses – Zuck is indeed creating the roads that lead to Rome, or in our tech world – Facebook.

You might hear people of a technical background say this is completely evil and should not be supported, but the truth speaks for itself. Facebook is the new Google and it is just a matter of time before Facebook becomes the new defacto search engine for social networking and more!

My advice to all webmasters and musicians; implement Open Graph Protocol on your websites and reap the benefits. The nay Sayers will be left in the dust and their websites will be at the bottom of the barrel of 20 billion websites.

Read more about Open Graph Protocol and how to implement on the Open Graph Protocol website.

Open Graph Protocol

While Open Graph Protocol can be used on static HTML pages that do not change, the real power comes when you are running your website using a database and creating dynamically driven webpages! A few additions to your scripting code and you could implement Open Graph Protocal in 5 minutes. Just a word of warning that Open Graph Protocol does still seem to be in a state of development, so you might find the tags to function intermittently at times, but usually this will clear up in a few hours.

Understand that it takes Facebook a while, just like search engines, to crawl your webpage for the Open Graph Protocol Tags. Don’t fret though because you can speed up this process by using the Facebook Linter program to have your page quickly read and updated (wish Google had this feature). You can find the Linter program here.

Facebook Linter

If you have any questions or comments about Open Graph Protocol, we would be happy to answer them. Just remember that this type of project for your website is probably an intermediate level of web design, so if you find yourself struggling to understand the concept, just forward to the webmaster that runs your site.

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Grace Internet Radio

June 28th, 2011

This month’s Go Wireless column features the Grace Digital Solo Wi-Fi Internet Radio Receiver is a combination Internet radio receiver and audio media streaming device that brings all the audio content of the Internet to your stereo system. With it users can listen to 18,000+ radio stations from NPR, FOX news, CNN, BBC, CBS to KROQ, and over 35,000 podcast as well as On-Demand subscription streams or your personal Pandora radio stations seamlessly from their home setup.


Additional features include the ability to stream files from local computer networks, compatibility with the free Grace remote control App for iPhone/iTouch and alarm clock functionality.



Convenient Access to Online Music in Your Home AM and FM radio stations all over the world stream their audio content over the Internet. Grace Digital Audio’s “Solo” product line of Wi-Fi Receiver and Media Streamers allow you link this massive amount of free content, as well as a variety of pay Internet radio services, conveniently and efficiently to your stereo or home entertainment system. Setup is simple, all you need is access to a broadband Internet connection and a wireless router. Acting like any wireless device, once configured to the Wi-Fi signal(s) available and its security, if any, the Solo Wi-Fi Receiver provides quick access to literally thousand of Internet radio stations and podcasts from your home stereo without having to fire up a computer. In addition, users can listen to the hottest premium online music services like Pandora, Live365 and Sirius.



Although designed as an Internet radio component for your stereo system, the Solo also allows users to do other things with their sound. For example, it can also be used as a clock radio/alarm—taking advantage of its built-in clock with backlit LCD display, five individual alarms and sleep timer—or acting further as a bridge between your computer network and your stereo, it can stream your digital music collection directly from your PC or Mac to your home stereo. Supported formats include: audio – AIFF, AIFC, WAVE, CAF, NeXT, ADTS, MP3, AAC, Ogg Vorbis, FLAC, WMA; playlist – ASX, M3U, PLS; streaming protocols – HTTP, HTTPS, RTSP, WSMP, Shoutcast. Users can also utilize either the full function remote control included, with its 10 presets, search and song skip functionality, or control via iPhone / iPod Touch.







Remote Control








Support for optional iPhone/iTouch remote app

 


Technical Details:

  • Listen to over 50,000 radio stations, podcast, and on demand content
  • Supports online music services: Pandora, Live365 and premium Sirius Internet radio
  • Compatible with the Grace iPhone / iTouch remote control application
  • 4 line high contrast backlit display
  • Displays station, song title and artist info
  • Full function remote with 10 presets
  • 10 presets on the radio + 99 station folder
  • 3.5mm Stereo headphone jack
  • High quality RCA jack stereo connectors
  • Built in dual band equalizer
  • Supported audio formats: AIFF, AIFC, WAVE, CAF, Next,ADTS, MP3, AAC, Ogg Vorbis, FLAC, WMA
  • Supported playlist formats: ASX, M3U, PLS
  • Supported streaming protocols: HTTP, HTTPS, RTSP, WSMP, Shoutcast
  • Built in media player streams your audio files from your PC or MAC
  • True 802.11g wireless connectivity
  • Works with all 802.11b/g/n routers
  • Supports WPA personal, WPA2-AES, and 64/128-bit WEP encryption
  • Support for optional iPhone/iTouch remote app



Play the music you want, where you want it:

Enjoy a world of music in your living room, bedroom, home office, kitchen—anywhere in your home. Add more Squeezebox Wi-Fi music players and listen to a different song in any room in your home, or synchronize them all together to hear the same music everywhere. You can also use the Squeezebox Controller to control the entire family of Squeezebox players throughout your home.



Perfect in any room:

The auto-dimming display adjusts for any lighting condition and is readable from across a room. The aqua-blue display features an integrated light sensor that complements ambient lighting—so it’s never too bright, or too dim.


Works on the follow Internet Radio Services:








Overview/Review: The workmanship, design and easy of use earns the Grace Wi-Fi Internet Radio a 5 Star review from Celtic Radio. This system is a real genius of innovation. An impressive compilation of technology, internet and music to give you many hours of enjoyment. Best of all this system works with Live365.com, so you will be able to listen to all of the Celtic Radio channels! Now Go Wireless!






Orla Fallon – ‘My Land’ DVD

June 17th, 2011
Impression/Review: In March, Órla Fallon released her concert DVD, My Land. With this concert, Órla invites her audience to travel with her on a magical tour of her favorite places around Ireland. She promises to transport the audience to these spots using traditional and contemporary songs. A few of the traditional songs are “Mo Ghile Mear,” “Ni Na La,” “I’ll Tell Me Ma,” and “Red Is the Rose.” Some of the contemporary songs include Joni Mitchell’s “Both Sides Now,” Brendan Graham & Rolf Lovland’s “My Land” and Dan Shea & John Bettis’ “Distant Shore.” The sights and sounds of Ireland are brought to life through these incredible songs which are woven together with amazing videos of Órla singing at many of the spectacular sites around Ireland. Órla also has several amazing guest performers that add to the magic of the show. The Dublin Gospel Choir, the Dubliners, Tommy Fleming, and Damien Dempsey all added their own unique flair which further captivates the audience.

Her promise to transport us through the country quickly becomes reality in the video. In August, Órla will begin the second part of her My Land Tour and it promises to take us on a similar magical tour. With her wonderful voice and engaging harp playing, Órla is going to take her audience to the enchanting Emerald Isle.

The cities on Órla’s tour schedule are listed below and more details are available on her website. Tickets for most of the shows are currently on sale through local PBS stations, so don’t wait too long to purchase yours or all the good seats will be gone.

Alicia Coller
Celtic Radio Contributor 

 


 

Additional Review: Orla Fallon (wiki spells it Orlagh) was, to me, THE voice of Celtic Woman. This is not to take anything away from any of the other singers, and their voices, but Orla sings the traditional music in a very traditional Celtic (Irish) voice, and she plays that harp. That, for me, was the best of what becomes an organization that calls itself Celtic Woman. When she and Maev (Ni Mhaolcatha) left Celtic Woman, well, while the group continues to be good, I felt very much as some of you feel over Paul and Ryan leaving Celtic Thunder. It has just never been the same.

Anyway, Orla has been a singer/songwriter/harpist for much of her adult life (she was born in 1974), having several personal releases, was a member of Anuna (as was Maeve) for some time, went into Celtic Woman, and then left them in 2009 to put more attention into her own family life and her personal music.

She was born in Knockananna, County Wicklow; she is married, she likes gardening, horses, and outdoors and country life. Her influences have been Clannad, and Maire (Moya) for the harp, the Chieftans, and Allison Krauss. She says she was a teacher “in a past life”; not sure whether she means before she got into music, or if she really does believe in past lives, like I do. She has sung for, among others, the Pope, President Clinton of the US, President Mary MacAleese of Ireland, and at Carnegie Hall. She has appeared with Jim Brickman and the Duggans, and has had Guests such as Tommy Fleming in her own shows. Her labels are Liffey and Manhattan.

Her latest release is My Land, which was released this past March 11. The tracks include (and I just tried to copy some videos over to this blog, but they won’t play here – I suppose you have to go to YouTube to hear them).

Down To The River To Pray – a song sung by Allison Krauss, one of her faves, in the George Clooney movie Oh Brother Where Art Thou.

Mo Ghile Mar – a song she did in ensemble with Celtic Woman

My Land (written by Brendan Graham, the writer of You Raise Me Up and other inspirational songs)

Red is the Rose (with Tommy Fleming)

Spanish Lady (this she did in ensemble with Celtic Woman)

and six more song, for a total of 11. If you go to Amazon. com and do a search for Orla, then look at the album itself, you can get bits of all 11 of the songs.

Anyway, Orla is definitely one of my fave singers of Irish/Celtic music, and I think she is well worth a listen. Besides, I love red hair.

Carol Stepp
Celtic Radio Contributor 

 


 

Celtic Radio Comments: We can not more highly recommend this wonderful DVD of Orla Fallon’s ‘My Land’ DVD! 5 Golden Stars from Celtic Radio:

Video Trailer of “My Land”:




Picture Gallery of Orla Fallon:




Purchase ‘My Land’ DVD:



The Secret of the Kells

January 22nd, 2011

In contrast to big-budget Hollywood CG features, The Secret of Kells is a welcome reminder of how warm, personal, and compelling traditional drawn animation can be. The story takes place in the eighth century, a perilous time when Viking raiders threatened to destroy Irish civilization. Since his parents were killed by Vikings, 12-year-old Brendan (voice by Evan McGuire) has lived within the walled monastery of Kells under the stern eye of his uncle, Abbot Cellach (Brendan Gleeson). But his life changes when Brother Aidan (Mick Lally) arrives at Kells with a wondrously beautiful but unfinished illuminated manuscript, created to be “a beacon in these dark times.” Brendan realizes he wants to become an illuminator and complete the book, despite his uncle’s opposition. His decision helps him win the friendship of Aisling (Christen Mooney), a silver-haired wood fairy–and requires him to battle the monstrous pagan god Crom Cruach. The visuals in The Secret of Kells were inspired by the eighth-century manuscript the Book of Kells, which has been preserved in the library of Trinity College, Dublin. Fans of Samurai Jack will recognize another influence on the flat, angular figures and their stylized movements. Brendan’s adventures are exciting enough to keep children entertained, while its graphic beauties will delight adult viewers. The Secret of Kells surprised many observers when it earned an Oscar nomination for Best Animated Feature, and it’s a film no one interested in animation should miss.

Follow 12-year-old Brendan (voice of Evan McGuire) as he battles Vikings and confronts an ancient serpent god on a mission to locate a legendary crystal and complete the mythical Book of Kells. Brendan lives in a heavily fortified medieval outpost known as the Abbey of Kells, where the ongoing threat of Viking raids causes the peaceful monks to live in a state of constant fear. Along with his uncle, Abbot Cellach, Brendan labors to fortify the abbey walls daily so his people will be protected from invading forces. When the mysterious Brother Aidan arrives at the abbey carrying an unfinished tome filled mystical secrets, Brendan becomes illuminated, and his dormant talents are awakened. The book must be finished, but accomplishing that mission will be no simple task. As the Vikings close in, Brendan ventures into the surrounding forest and prepares to confront his darkest fears. Accompanying him on his dangerous mission is Aisling, a half-wolf/half-human fairy whose powers will help to guide Brendan through this enchanting yet dangerous new world.

The Secret of the Kells is not your typical cartoon. This movie is rich in Celtic history and beautiful Celtic art. The movie is irrestible to watch a second or even a third time. We can not more highly recommend this wonderful creation! 5 Golden Stars from CelticRadio.net:

Picture Gallery from The Secret of the Krells:

 

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Christmas Dinner by Charles Dickens

December 21st, 2010

When most people think of Charles Dickens, they think of his timeless and world changing tale called a “Christmas Carol”. There probably has not been a story written that had such an effect on humanity let along Christmas. But what is not well known is that Mr. Dickens had written other Christmas tales, some of them very good. So, we bring you one of those tales – a short story about Christmas Dinner, by Charles Dickens.

Christmas time! That man must be a misanthrope indeed, in whose breast something like a jovial feeling is not roused – in whose mind some pleasant associations are not awakened – by the recurrence of Christmas. There are people who will tell you that Christmas is not to them what it used to be; that each succeeding Christmas has found some cherished hope, or happy prospect, of the year before, dimmed or passed away; that the present only serves to remind them of reduced circumstances and straitened incomes – of the feasts they once bestowed on hollow friends, and of the cold looks that meet them now, in adversity and misfortune. Never heed such dismal reminiscences. There are few men who have lived long enough in the world, who cannot call up such thoughts any day in the year. Then do not select the merriest of the three hundred and sixty-five for your doleful recollections, but draw your chair nearer the blazing fire – fill the glass and send round the song – and if your room be smaller than it was a dozen years ago, or if your glass be filled with reeking punch, instead of sparkling wine, put a good face on the matter, and empty it off-hand, and fill another, and troll off the old ditty you used to sing, and thank God it’s no worse. Look on the merry faces of your children (if you have any) as they sit round the fire. One little seat may be empty; one slight form that gladdened the father’s heart, and roused the mother’s pride to look upon, may not be there. Dwell not upon the past; think not that one short year ago, the fair child now resolving into dust, sat before you, with the bloom of health upon its cheek, and the gaiety of infancy in its joyous eye. Reflect upon your present blessings – of which every man has many – not on your past misfortunes, of which all men have some. Fill your glass again, with a merry face and contented heart. Our life on it, but your Christmas shall be merry, and your new year a happy one!

Who can be insensible to the outpourings of good feeling, and the honest interchange of affectionate attachment, which abound at this season of the year? A Christmas family-party! We know nothing in nature more delightful! There seems a magic in the very name of Christmas. Petty jealousies and discords are forgotten; social feelings are awakened, in bosoms to which they have long been strangers; father and son, or brother and sister, who have met and passed with averted gaze, or a look of cold recognition, for months before, proffer and return the cordial embrace, and bury their past animosities in their present happiness. Kindly hearts that have yearned towards each other, but have been withheld by false notions of pride and self-dignity, are again reunited, and all is kindness and benevolence! Would that Christmas lasted the whole year through (as it ought), and that the prejudices and passions which deform our better nature, were never called into action among those to whom they should ever be strangers!

The Christmas family-party that we mean, is not a mere assemblage of relations, got up at a week or two’s notice, originating this year, having no family precedent in the last, and not likely to be repeated in the next. No. It is an annual gathering of all the accessible members of the family, young or old, rich or poor; and all the children look forward to it, for two months beforehand, in a fever of anticipation. Formerly, it was held at grandpapa’s; but grandpapa getting old, and grandmamma getting old too, and rather infirm, they have given up house-keeping, and domesticated themselves with uncle George; so, the party always takes place at uncle George’s house, but grandmamma sends in most of the good things, and grandpapa always WILL toddle down, all the way to Newgate-market, to buy the turkey, which he engages a porter to bring home behind him in triumph, always insisting on the man’s being rewarded with a glass of spirits, over and above his hire, to drink ‘a merry Christmas and a happy new year’ to aunt George. As to grandmamma, she is very secret and mysterious for two or three days beforehand, but not sufficiently so, to prevent rumours getting afloat that she has purchased a beautiful new cap with pink ribbons for each of the servants, together with sundry books, and pen-knives, and pencil-cases, for the younger branches; to say nothing of divers secret additions to the order originally given by aunt George at the pastry-cook’s, such as another dozen of mince- pies for the dinner, and a large plum-cake for the children.

On Christmas-eve, grandmamma is always in excellent spirits, and after employing all the children, during the day, in stoning the plums, and all that, insists, regularly every year, on uncle George coming down into the kitchen, taking off his coat, and stirring the pudding for half an hour or so, which uncle George good-humouredly does, to the vociferous delight of the children and servants. The evening concludes with a glorious game of blind-man’s-buff, in an early stage of which grandpapa takes great care to be caught, in order that he may have an opportunity of displaying his dexterity.

On the following morning, the old couple, with as many of the children as the pew will hold, go to church in great state: leaving aunt George at home dusting decanters and filling casters, and uncle George carrying bottles into the dining-parlour, and calling for corkscrews, and getting into everybody’s way.

When the church-party return to lunch, grandpapa produces a small sprig of mistletoe from his pocket, and tempts the boys to kiss their little cousins under it – a proceeding which affords both the boys and the old gentleman unlimited satisfaction, but which rather outrages grandmamma’s ideas of decorum, until grandpapa says, that when he was just thirteen years and three months old, HE kissed grandmamma under a mistletoe too, on which the children clap their hands, and laugh very heartily, as do aunt George and uncle George; and grandmamma looks pleased, and says, with a benevolent smile, that grandpapa was an impudent young dog, on which the children laugh very heartily again, and grandpapa more heartily than any of them.

But all these diversions are nothing to the subsequent excitement when grandmamma in a high cap, and slate-coloured silk gown; and grandpapa with a beautifully plaited shirt-frill, and white neckerchief; seat themselves on one side of the drawing-room fire, with uncle George’s children and little cousins innumerable, seated in the front, waiting the arrival of the expected visitors. Suddenly a hackney-coach is heard to stop, and uncle George, who has been looking out of the window, exclaims ‘Here’s Jane!’ on which the children rush to the door, and helter-skelter down- stairs; and uncle Robert and aunt Jane, and the dear little baby, and the nurse, and the whole party, are ushered up-stairs amidst tumultuous shouts of ‘Oh, my!’ from the children, and frequently repeated warnings not to hurt baby from the nurse. And grandpapa takes the child, and grandmamma kisses her daughter, and the confusion of this first entry has scarcely subsided, when some other aunts and uncles with more cousins arrive, and the grown-up cousins flirt with each other, and so do the little cousins too, for that matter, and nothing is to be heard but a confused din of talking, laughing, and merriment.

A hesitating double knock at the street-door, heard during a momentary pause in the conversation, excites a general inquiry of ‘Who’s that?’ and two or three children, who have been standing at the window, announce in a low voice, that it’s ‘poor aunt Margaret.’ Upon which, aunt George leaves the room to welcome the new-comer; and grandmamma draws herself up, rather stiff and stately; for Margaret married a poor man without her consent, and poverty not being a sufficiently weighty punishment for her offence, has been discarded by her friends, and debarred the society of her dearest relatives. But Christmas has come round, and the unkind feelings that have struggled against better dispositions during the year, have melted away before its genial influence, like half-formed ice beneath the morning sun. It is not difficult in a moment of angry feeling for a parent to denounce a disobedient child; but, to banish her at a period of general good- will and hilarity, from the hearth, round which she has sat on so many anniversaries of the same day, expanding by slow degrees from infancy to girlhood, and then bursting, almost imperceptibly, into a woman, is widely different. The air of conscious rectitude, and cold forgiveness, which the old lady has assumed, sits ill upon her; and when the poor girl is led in by her sister, pale in looks and broken in hope – not from poverty, for that she could bear, but from the consciousness of undeserved neglect, and unmerited unkindness – it is easy to see how much of it is assumed. A momentary pause succeeds; the girl breaks suddenly from her sister and throws herself, sobbing, on her mother’s neck. The father steps hastily forward, and takes her husband’s hand. Friends crowd round to offer their hearty congratulations, and happiness and harmony again prevail.

As to the dinner, it’s perfectly delightful – nothing goes wrong, and everybody is in the very best of spirits, and disposed to please and be pleased. Grandpapa relates a circumstantial account of the purchase of the turkey, with a slight digression relative to the purchase of previous turkeys, on former Christmas-days, which grandmamma corroborates in the minutest particular. Uncle George tells stories, and carves poultry, and takes wine, and jokes with the children at the side-table, and winks at the cousins that are making love, or being made love to, and exhilarates everybody with his good humour and hospitality; and when, at last, a stout servant staggers in with a gigantic pudding, with a sprig of holly in the top, there is such a laughing, and shouting, and clapping of little chubby hands, and kicking up of fat dumpy legs, as can only be equalled by the applause with which the astonishing feat of pouring lighted brandy into mince-pies, is received by the younger visitors. Then the dessert! – and the wine! – and the fun! Such beautiful speeches, and SUCH songs, from aunt Margaret’s husband, who turns out to be such a nice man, and SO attentive to grandmamma! Even grandpapa not only sings his annual song with unprecedented vigour, but on being honoured with an unanimous ENCORE, according to annual custom, actually comes out with a new one which nobody but grandmamma ever heard before; and a young scapegrace of a cousin, who has been in some disgrace with the old people, for certain heinous sins of omission and commission – neglecting to call, and persisting in drinking Burton Ale – astonishes everybody into convulsions of laughter by volunteering the most extraordinary comic songs that ever were heard. And thus the evening passes, in a strain of rational good-will and cheerfulness, doing more to awaken the sympathies of every member of the party in behalf of his neighbour, and to perpetuate their good feeling during the ensuing year, than half the homilies that have ever been written, by half the Divines that have ever lived.

The Bear

December 21st, 2010

In William Faulkner’s, ‘The Bear’, a young boy begins his passage into adulthood by learning the qualities of courage, honor, pride and “what the heart holds to become truth.” Long before the boy begins his journey, he learns of the legendary bear through the stories from his father’s twice yearly hunting trips into the wilderness. It would seem that all of his young life, the boy was preparing for his journey to the wilderness and his encounter with the bear. Faulkner describes how “It ran in is knowledge” and “loomed and towered in his dreams before he even saw the unaxed woods where it left its crooked print.” The right of passage for the boy could not be explained through a fireside chat, but through the boy’s own experience in learning about his fears and ‘The Bear.’ For the character of the bear is not merely just a beast in the woods, but a personification of mans own fears in confronting the unknown and learning to coexist and gain respect for the wilderness that we are all from.

Long before the boy began his journey, his father, Major de Spain, General Compson, Sam Fathers and Tennie’s Jim all learned the lesson of the bear. These individuals, representing diverse backgrounds as the white plantation owner, the civil war veterans, the black and the Indian, all come together for the purpose of the hunt. Although they are not able to live together without racism in the towns where they live, their unity is apparent in the wilderness, were they are just men; living, hunting, breathing and drinking together as one people. For the bear had shown to them, as did their father’s father, the true meaning of what harmony means in the wilderness. Although the boy thinks he has fooled his father and friends into thinking he was hunting for squirrels, he is surprised when Sam Fathers tells the boy, “You ain’t looked right yet.” Evidently, Sam Fathers knows exactly what the boy is searching for. The boy thinks he is searching to hunt a bear, but he recognizes his own fear when he can not come close to, or even see the elusive bear. He decides that he “must see him” and he “must look at him.”

Sam Fathers reveals to the boy that in the wilderness, nothing will hurt you unless you corner it or fear it. He tells the boy that the bear, or wilderness, can smell when you are afraid. The problem is the gun, as Sam Father’s states. The gun represents mans own fears of the wilderness. If the boy wants a face to face encounter with the bear, he must drop his fears and not hide behind his gun. At this point in Faulkner’s story, it is clear that the character of the bear takes on proportions of more than just an animal. The bear, representing the wilderness itself, must not be feared by the boy if he is to be truly enlightened and learn the harmony and respect that the wilderness is made of. The bear is part of that wilderness and if the boy can not confront his fear of the bear, then he will forever view the wilderness as something that is to be feared, forgotten and left to the axeman to dismantle.

The encounter with the bear occurs only when the boy leaves behind the instruments of fear that man believes is needed to survive in the wilderness. The gun and “three lifeless mechanicals” are left behind. (a watch, compass, and stick) Believing that these instruments of man had made him the woodsman that he had strive to be, the boy forges on to meet his own fear in the presence of the bear. Alone in the wilderness, nine hours from camp, he uses the skills in his head and heart to try and find the bear. He returns to the spot where he had left behind the watch, compass and stick only to find a down log where he sits. The boy then sees the tremendous and legendary bear that he had been trying to confront all of his young years. Stripped of the fears of man, the boy discovers for himself that the bear does not fear him, but respects his presence. There is no unprovoked attack on the boy; rather, the bear quietly looks back at the boy. He does not make any sounds or hasty retreats. The bear shows to the boy that he will regard him with respect in the wilderness, so long as the boy respects the bear and does not bring the “lifeless mechanicals” into the bear’s domain. Without the fears of man inside of his heart and mind, the boy learns from the bear what no one could of taught him, that there is no fear in the wilderness, only in the hearts of man.

Faulkner uses the tale of ‘The Bear’ to bring into focus that there is “nothing to fear but fear itself.” It would seem that Faulkner’s tale is to invoke understanding as to what the bear or the wilderness really represents. Not a place to be feared and destroyed, but a place to be respected, to gain enlightenment from and to learn the attributes that each and every individual should learn; courage, honor, pity, justice, liberty and humility. As the boy learned, the lesson of the bear taught these men not to fear the wilderness and in doing so, not to fear each other, regardless of the color of their skin, the roots of their ancestors or the words that they spoke. The lesson of “The Bear” is about overcoming your own fears and in learning to coexist with the nature, people and animals that some men, have learned to fear.


Purchase “The Bear” from Amazon.com



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